A HUDSON CYCLE was written as a wedding gift for two friends, one of whom was leaving Manhattan behind to effect their union. This is music of longing and anticipation; losing a beautiful place, approaching a beloved person. The right hand and the left struggle to synchronize, now succeeding, now failing to coincide. The primary rhythmic figure--a restless polyrhythm of two beats in the right hand for every three in the left--should recall the onward rush of the titular river, which very much represents “home” for the composer. (There it is, out his window.) It should also recall the music of Philip Glass, one of Nico’s most important influences, who’s made extended two-against-three one of his compositional trademarks.
Regardless of complexity, scale, or ambition, music that uses a constant pulse, limited pitch materials, and gradually developing, repetitive structures is usually tagged as “minimalist.” Musical “minimalism,” of which composers like Glass have been accused, is an inherently erotic language, mimicking physical love both in the often frenzied repetition of its outward gestures and in the titillating slowness of its progress, and with that in mind we might also consider the possibility that, as befits the occasion, the friction between the two rhythms suggests the friction between two human beings. Of course, while Glass is famous for the neoclassical cool of his recent music, which often unspools itself in smooth, seamless quantities, this piece is more interested in the bumps and hiccups with which a minimalist score develops. It’s unsettled – hot – all seam.
Still, its relentless rhythms propels the piece as a river of sound, dark and liquid, especially as Valgeir’s mixed it here. Compare the tone of this piano to the keener, more metallic texture of Quiet Music; A Hudson Cycle is at once smoother and more intense, restless, sensual and driven.
A Graduate of the Juilliard School for composition, Vermont-born Nico Muhly has been causing significant ripples in modern
music circles with a variety of projects. Nico has collaborated closely with artists as diverse as Antony (from Antony and the Johnsons) and Philip Glass....more
Nico Muhly's long-time producer/collaborator and founder of the Bedroom Community label. Here is Valgeir's solo work, featuring piano contributions from Nico, violist Nadia Sirota and Shahzad Ismaily. Nico Muhly
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Bewitching cello "looper" mixed like Ed Alleyne-Johnson did in early nineties but not on New Age way. Here it is as closer to J.S. Bach and his Cello Suite than Ed Alleyne. But the method is similar.
A very relaxing performance brings ears to nirvana by sounding rich harmonics from her instrument.
Siting quiet on a sofa savoring these sumptuous melodies taking my mind out of daily customs. This is what I feel while I'm listening to this album. Emmanuel Codden